- Sat, Jan 30, 2010
- Writing
When you write, what sort of theological “puzzles” have you had to sort through to your own satisfaction before you could continue with the story?

One example would be the problem of evil and suffering that plagues Ollie in my novel Deception. Of course, I didn’t resolve that problem, and none of us will, but I had to really ponder it, and think of it in terms of the confusion and anger it might instill in someone like Ollie. Why did his wife die? Why did someone else close to him die? (Not saying who to avoid spoiling the story.) Why do the bad guys sometimes get away with it, and why do the good guys sometimes suffer and die? Ollie’s road to ...





I wrote a story several years ago and had passed it around to family and friends. As time has gone by I’ve now seen it in print and credited to another person. Every time I see this story, I feel cheated. How do I handle this injustice?
Some people seem to think that I began by asking myself how I could say something about Christianity to children; then fixed on the fairy tale as an instrument; then collected information about child-psychology and decided what age-group I’d write for; then drew up a list of basic Christian truths and hammered out “allegories” to embody them. This is all pure moonshine. I couldn’t write in that way at all. Everything began with images; a faun carrying an umbrella, a queen on a sledge, a magnificent lion. At first there wasn’t even anything Christian about them; that element pushed itself in of its own accord. It was part of the bubbling.




